Even after reading just the first issue of G.I. Joe: Cobra way back when, I knew we were in for something special. A very gritty take on the G.I. Joe universe, it presented heroes and villains with the lines of their morality completely blurred and had Chuckles going way into the dark in order to get the job done.
When it was announced that G.I. Joe: Cobra would be an ongoing series starting this year, I will admit, I was a bit conflicted. Would the series really be able to keep its legs as a monthly title? How could the universe retain its darkness and complexity of personalities going month-to-month? Well, to answer those questions…no, it can’t quite maintain the same level of darkness, but that doesn’t mean it gets any worse. To read the full review hit the jump below. Spoilers abound.
Where the first G.I. Joe: Cobra Special focused on Tomax and Xamot, the Crimson Twins, this second installment pay close attention to Erika Etiene, also known as “Chameleon”. I know the first question I had come to mind was “huh”? Especially because that female operative from earlier on in the G.I. Joe: Cobra series was also calling herself Chameleon.
Now, knowing Chameleon’s history in action figure form, that already starts placing Erika in a certain place in many fans’ heads, but the question still remained, would IDW hold true to that origin in this new universe?
As we begin the issue, Erika is a prisoner of the US Government, and they are working hard to turn her against her snake-themed masters. We find out a bit about Chameleon’s backstory, and the government is planning to use her history against her, convincing her to operate against Cobra. As it turns out, she doesn’t need all that much convincing, and is soon infiltrating a Cobra safehouse in Baltimore, disguised as The Baroness herself.
Throughout the course of the story, some doors and windows begin to open…we find out that yes, it would appear our preconceived notions about Chameleon’s backstory do hold true, and she is who we think she is. Not only that, but The Baroness is aware of who she is, too, and has been “protecting” her within the Cobra cadre. But how will she take Chameleon’s apparent betrayal? That remains to be seen.
So, now that G.I. Joe: Cobra is nearly 9 months into it’s ongoing run, and we’ve seen a wealth of Cobra characters come and go throughout its pages, how does G.I. Joe: Cobra Special #2 stack up?
Brilliantly.
It reads to near perfection…the dialog of the characters, the pace of the action, the suspense. It’s all 100% intact and totally continues the legacy of terrific story telling that this title has maintained nearly without fail for over a year. The universe that Gage and Costa are weaving is a fantastic one that seems so totally separate from the ongoing book, yet ties into it excellently. If the main title is the flashy Hollywood action blockbuster, G.I. Joe: Cobra is the gritty, dark indy movie that doesn’t have the splashy special effects, but tells a much richer, deeper story. Antonio Fuso’s simplistic, dramatic art style suits the writing very well, though from a technical standpoint, it certainly doesn’t match up to the mainstream titles. I still really enjoy it, though, and I think it adds to the “back alley” mystique nicely. Mike Costa appears to be handling the writing chores on this particular issue solo, and he handles the job remarkably well.
Chameleon’s interaction with the Government agent “Firewall” (no apparent relation to the DDP version) is terrifically done, and seeing her conflicted feelings in regards to her past, her family, and her apparent reluctance to fully embrace her new allegiance are all excellent facets to this great one-shot special, and sheds a whole new light on the Chameleon character. I absolutely love this universe that IDW is building, even if it does contrast pretty heavily with the main title. In a way, though, that makes sense…while G.I. Joe can concentrate on the bright, effects heavy world of the good guys, it only seems right that G.I. Joe: Cobra show the dark and ugly seedy underbelly of the terrorist organization. This second G.I. Joe: Cobra One Shot only further examines that excellent world, and is a great comic to boot.
As an added bonus, IDW has also included an excerpt from an upcoming prose anthology, called G.I. Joe: The Cobra Wars.
This was a fantastic read featuring some great obscure characters, but I’m going to hold off on paying too much focus on that until another post.
Excuse the camera pics below, my scanner is on the fritz…
no images were found
Well, I can clearly see that I haven’t been missing anything at all by not having been picking this nasty looking series up…
The writing may be decent, or wonderful even, but if the artwork doesn’t compliment the level of the writing with a similar level of talent and quality, then it really isn’t doing its job at all. Whatever your particular artistic tastes may be, I seriously do not see that Fuso is really pulling his weight in ANY aspect. I prefer to see the characters portrayed visually with a significant level of respect, as opposed to the scribbly styled and overly dark, scratchy “art” where all of my (our) favorite villains are portrayed as vile parodies of themselves…(and the Joes too…). It’s like reading a comic book version of the “King of the Hill” with the brightness turned waaaaaay down, only without the humor (even though I feel the art is a joke).
Sorry, but if they want to sell this series to me, and LOTS of other people out there who agree, IDW is going to have to up the level of quality where their artwork is concerned. Oh, and the “main” series isn’t that brilliant ray of Hollywood light either. It is slow and often poorly drawn and written…much like the initial conception we had shoved down our throats…Just because it says “GI Joe” on it, doesn’t mean it isn’t crap. Sorry, but that’s what it is these days.
At this point, I’m ready for IDW to flush itself down the toilet like DDP did…As an artist, I’m both ashamed of them for being so sloppy and careless with the quality of artwork when handling the characters and offended by the lack of pride and professional courtesy exhibited against other more qualified and willing artists who would pay much more attention to character detail and storytelling in general. As a fan, I’m just outright disgusted everytime I see them trot out the newest issue of that atrocity against artwork.
*(Disclaimer – This was an expression of my opinion on the LACK of quality IDW continues to offer the fans. It was brought to you by the number “2”, which both signifies what kind of excretion “GI Joe: Cobra” is and was also brought to you by the letter “T”, as in IDW tosses “too” much of it at us (much like the monkeys at the zoo). (No offense to monkeys, as a matter of fact some monkeys might do a better job drawing these books.)) Remember! Sarcasm is the body’s natural defense against stupid. Enjoy. 🙂